We began this at our last session and while it’s mostly pretty easy to read right off, here are the files so everyone can have a bit of a practice and those who missed out on our session at Jasper Lodge (Election Night at LVW!) can play catch up.
Oh, and apologies for another obscure American reference, but I couldn’t help myself. Hearing Don Knotts sing this song cheers me no end.
A few of you have been asking for these, so I’m putting the 4 of them in one place. These are a series of short voice tutorials that I did some time ago for some of my students and for anyone else who might find them useful. I’ve since been contacted by several singers from various parts of the world who have watched them, and three of them have come for singing lessons. The power of the web, eh?
If anyone has a vocal or musical subject that they would like me to tackle in a video, please don’t hesitate to get in touch or leave a comment here.
I said at rehearsal that McCartney was influenced by pop music from an earlier era––and of course, this was mostly written by John.
ROLLING STONE’s Top 100 Beatles Songs
26. ‘If I Fell’
Main Writer: Lennon Recorded: February 27, 1964 Released: June 26, 1964 9 weeks; no. 53 (B side)
“If I Fell” was Lennon’s first attempt to write a slow, pretty number for a Beatles record. “People forget that John wrote some nice ballads,” McCartney said. “People tend to think of him as an acerbic wit and aggressive and abrasive, but he did have a very warm side to him, really, which he didn’t like to show too much in case he got rejected.”
Lennon said the lyrics — in which he begs a new lover for tenderness after being wounded by the last girl — were “semiautobiographical, but not consciously.” On the surface, they had little to do with his life: He had been with his wife, Cynthia, for years, and their son, Julian, was almost a year old.
But musically, it was one of Lennon’s cleverest songs to date: The harmonic tricks of its strummy, offbeat opening were miles beyond what other bands were doing at the time, and it was “dripping with chords,” as McCartney said. It also showcased some of the Beatles’ finest singing. Lennon and McCartney shared a single microphone for their Everly Brothers-like close harmonies.
If I Fell – 3 Parts, SAB
If I Fell – Soprano part If I Fell – Alto part If I Fell – Baritone part
Thank you all for a lovely term! We enjoyed it thoroughly and are looking forward to next term by preparing new music based on your suggestions listed below. Also, please note the dates for next term’s sessions and put them in your diary.
LEWES VOICE WORKS end of term business
Next term’s dates:
11, 25 May
8, 22 June
6, 13 July
Next term’s fees: Subscription £60 for 7 sessions
HOT NEWS, not FAKE NEWS: Suggestion box results are IN!!
Chorus of the Hebrew Slaves
O fortuna (Carmina Burana)
Bei Männern (Magic Flute)
Anything by Mozart
SS Wesley, Blessed be the God, Father of our Lord JC
16th century ‘stuff’
Madrigal: Twas in the Month of Maying
Fool on the Hill
If I Fell
She’s Leaving Home
Here, There & Everywhere
I worked with composer Stephen Sturk for a few years back in the 1980s when I was a soloist at the Cathedral of St John the Divine in New York. I was fortunate enough to be in the evensong choir that recorded his beautiful Evening Service, of which the Phos Hilaron (O Gracious Light) is the first part. I still have the original cassette tape with him conducting. I’ll post it here at some point so you can hear it.
It was originally composed for ATB (alto, tenor, bass) but Carol has done a lovely job of rewriting it for SAB. I hope you love it as much as I do.
Here is the Ralph Kramden chest resonance demonstration that I mentioned at the last session. For those of you who missed out, this is what happens when you use low abdominal support and keep a fine chest resonance.
This is a clip I created and uploaded from an episode of The Honeymooners called The Bensonhurst Bomber.
Enjoy! And please don’t take it too seriously. 😉
For those of you who must see the entire episode now, it is available here.